Cilt 4 - Sayı 1 (Haziran 2022)
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Öğe Read dangerously: The subversive power of literature in troubled times(Karamanoğlu Mehmetbey Üniversitesi, 2022) Ekler, OnurAzar Nafisi’s Read Dangerously: The Subversive Power of Literature in Troubled Times is an inspiring book that brings readers out of their “comfort zone” where they read “texts that confirm [their] presuppositions and prejudices” (5). Nafisi complains that most readers avoid reading dangerously in order not to break their “comfort zone”. This, however, causes atrophy to their senses and makes them passive and indifferent to the problems of today’s world. To Nafisi, such readers don’t believe that “sky is falling till a chunk of it falls on [them]” (92). Ordinariness is what such readers suffer from. Nafisi further claims that ordinariness is the most fearsome state since ordinary people even normalize the violent deeds of totalitarian regimes. They take them for granted without questioning or raising doubts about them. They become docile bodies in the society easily conditioned to move into the predetermined spaces created by the authorities. Realizing the potential threat of routine to individual liberty in the growing totalitarianism, Nafisi urgently suggests the necessity of reading dangerously that would raise higher consciousness in readers in order to actively engage with the opposition. Through reading dangerously, she believes that readers can be carried away to a “disaster zone” which enables readers to negotiate over some critical concepts such as enemy, oppressor, and victim.Öğe المصطلحات اللسانية عند أحمد مختار عمر(Karamanoğlu Mehmetbey Üniversitesi, 2022) Doğancı, Seherتهدف هذه الورقة البحثية إلى بيان مفهوم المصطلح، ومفهوم علم المصطلحات وتاريخه في إطار توليد المصطلح في الغرب. وبعد ذلك يشير هذا البحث إلى الأسس العلمية لوضع المصطلحات، وبيان شروط صناعة المصطلح. وبالإضافة إلى ذلك يتتبّع هذا البحث بنية المصطلحات من ناحية قضية الاشتقاق، والأوزان، والنحت والتركيب، والنقل المجازي، والإدخال (التعريب) بالاستفادة من عدد من الأمثلة. ويضاف إلى ذلك بحث المشكلات المصطلحية، للوصول إلى توصيات لحل هذه المشكلات. ثمّ يعتمد هذا البحث على إلقاء الضوء على استخدام المصطلحات اللسانية عند أحمد مختار عمر بالاستفادة من كتابه علم الدلالة المعدّ في ميدان علم الدلالة، وكتاب دراسة الصوت اللغوي في علم الصوت من الجهة التطبيقية للموضوع.Öğe From landscapes to mindscapes: Ecocritical perspectives on the sense of place in Jane Austen’s Emma(Karamanoğlu Mehmetbey Üniversitesi, 2022) Göçmen, GülşahThis article aims to analyze Jane Austen’s Emma (1816) with a specialized interest in environmental consciousness and place-based identities, presented in the novel, through a close textual analysis of the relationship between the characters and their environment. Accordingly, it discusses the potential of the sense of place to invoke certain environmental values through which the readers could appreciate the interdependent relationship between human beings and their natural surroundings. To this end, it first discusses how Austen’s “environmental imagination” (to use Lawrence Buell’s term) works through Emma to draw a parallelism between the environment in which she grew up as a child, that is, Steventon, and her fictional environment that she created for this specific novel, Highbury. The reflections of her environmental imagination are particularly worth revisiting in line of the environmental ethics philosopher Jim Cheney’s idea of the parallelism between “landscapes and mindscapes” and Holmes Rolston III’s “storied residences”. These two theorists similarly suggest that landscapes are directly or indirectly reflected through mindscapes, and narrative is the most convenient mode to contextualize this parallelism. Building on these theoretical insights, this article displays how Austen is a keen observer of her natural surroundings but also argues that there is a place-based approach in her characters that potentially offer an environmental consciousness for the reader in Emma, explored within the special light of the ecocritical understanding of place.Öğe A female wizard’s cry for equal rights: Terry Pratchett’s Equal rites(Karamanoğlu Mehmetbey Üniversitesi, 2022) Özbay, EmrahIn recent literary studies, fantasy literature has begun to be studied more and more frequently. The use of fantasy elements to deal with issues related to today's society also leads to a significant increase in the readership of this genre. Terry Pratchett, who is the writer of the Discworld series consisting of 41 novels, blends fantasy and satire skillfully in his novels. As the novel’s title gives some indication, Equal Rites, which was first published in 1987, is about equal rights in terms of gender. Talking about witches, magic, wizards and the Unseen University where women are not allowed to enter as a student or teacher, Pratchett combines the fantasy with serious topics about gender inequality. The story is set in Pratchett’s fantasy world -Discworld and the writer uses his other world to hold up a distorting mirror to our own. In this paper, how Pratchett deals with some serious gender-related issues such as male dominance in institutions, women’s struggles against the sexist point of view and stereotyped roles of men and women in his fantasy world are analysed via quotations from the novel. As a result of the analysis, it was found that the writer satirizes society by using elements of fantasy for all the inequalities that women face in different areas of life and offer various solutions to those inequalities.Öğe Franz Kafka'nın Ein Landarzt adlı anlatısının çevirilerinde belirsizliğin diliyle temaslar(Karamanoğlu Mehmetbey Üniversitesi, 2022) Sözen, MuratFranz Kafka'nın Ein Landarzt / Bir Köy Hekimi adlı anlatısı yazarın, üzerinde çokça durulan ve gizemi çözülmeye çalışılan başlıca anlatılarındandır. Kafka, metnini çok anlamlı ve paradoksal ifadelerle örerken belirsizliğin dilini kurar, fakat bu dil, kurulanın taşınamaması üzerine kuruludur. Metin yapısı, anlam ilişkilerini kurarken bozar, bozarken yeniden kurar, anlam sürekli ötelenir. Çevirmenler kaynak metinde kusursuz işleyen bir dizgeselliğin yansıması olan bu yazınsal özelliği çevirinin koşulları içinde oluştururken kendilerini görünür kılmakla, Kafka'yı ve/veya anlatılanı görünür kılmak arasındaki sınırlara temas edebilirler. Çalışmanın amacı, çevirilerdeki bu türden temaslara, kaynak metnin dizgesel ilişkileri üzerinden bakmak suretiyle, kaynak metnin belirsizlik bağlamında kurduğu sınırları yapısal ölçütlerle belirginleştirmenin yollarını çeviri açısından tartışmaktır.Öğe Özyaşamöyküsünden Özkurmacaya(Karamanoğlu Mehmetbey Üniversitesi, 2022) Kahramanoğlu, FatmaKökleri çok eskilere dayanan özyaşamöyküsünün yazınsal bir kavram olarak değerlendirip kuramsal çerçevesinin belirlenmesi, XX. yüzyılın son çeyreğine denk gelmektedir. Yüzyıllardır varlığını sürdüren özyaşamöyküsü türü, bu uzun süreçte roman anlayışının değişiminden de payını alır ve 1977 yılında Serge Doubrovsky, ruhçözümcü söylemin ön planda olduğu çağdaş, süreksiz, kopuk, çokkatmanlı ve parçalı özellikteki benli anlatıları, kökleşik özyaşamöyküsünden ayırmak için “özkurmaca” kavramını ortaya atar. 1980-1990 yılları arasında “postmodern” olarak tanımlanan ekonomik, tarihsel, toplumsal ve kültürel olarak yaşanan çok sayıda değişim dönüşümle birlikte bu yeni kavram oldukça ilgi görür. Söz konusu kavram, öznenin metne dönüşünü ve dolayısıyla yazarın dönüşünü somutlaştırır. Bir bakıma bireyciliğin, özseverliliğin ve hazcılığın yükselişinin bir sonucu olarak ortaya çıkan özkurmaca kavramı, bir söylem olarak yalnızca yazınsal yapıtlarda değil çağdaş Fransız kültürünün neredeyse her alanında karşımıza çıkar. Bu çalışmada özyaşamöyküsünün yazınsal bir söylem olarak nasıl tanımlandığını, özkurmaca kavramının nasıl ortaya çıktığını, bu kavramı kuramcıların nasıl tanımladığını ve günümüz yazın eleştirisi alanında nasıl algılandığını ortaya koymayı deneyeceğiz.Öğe Cahiliye döneminin meşhur üç medîh şairi En-Nâbiğa, Zuheyr ve El-'Aşâ(Karamanoğlu Mehmetbey Üniversitesi, 2022) Olçun, Muhammed MahmutAn-Nâbighâ, Zuhayr and Al-‘Aşâ are accepted among the leading poets in the Jahiliyyah Period. These poets are three well-known poets who have made a great contribution to the development and progress of the genre of eulogy-themed poetry in the period of Jahiliyyah. They have influenced the poets interested in the poetry of the Classical Arabic Literature and even the ones writing poems on the neo-classical movement having occurred at the beginning of the Arabic Literature. Three of the poets earned income by versifying poems based on eulogy-themed poems, and they prepared the ground for the eulogy being praised by other poets and becoming widespread. They have chosen the ones living and having the authority of the government in the Jahiliyyah Period as the praised. Among these three poets, only el-‘Aşâ despite being nonmuslim he has versified eulogy for the prophet Muhammed (pbuh) because of being one of the poets having seen both the Jahiliyyah and Islamic Periods. The common features of the three poets’ eulogies are that their styles are extremely simple and fluent.
